Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jules Pascin
Jingha

ID: 51595

Jules Pascin Jingha
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Jules Pascin Jingha


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Jules Pascin

Bulgarian-born French Expressionist Painter, 1885-1930,American painter, draughtsman and printmaker of Bulgarian birth, active in France. He attended secondary school in Vienna, returning in 1901 to Bucharest, where his family had settled, and working briefly in the office of his father's grain-merchandizing business. He was, however, already becoming passionately interested in drawing, for which he showed precocious talent. At the age of 16 he became the lover of a woman who ran a brothel and was allowed by her to draw the residents. In 1903 he moved to Munich, where he attended the art school run by Moritz Heymann.   Related Paintings of Jules Pascin :. | Lucy and Aiermina | Three younger girl | Woman catch the flea | Aiermina wearing the green dress | Younger woman of Blue eye |
Related Artists:
Maroniez Georges-Philibert
French genre, seascape, and landscape Painter , 1865-Douai,1933
Giovanna Garzoni
Italian Baroque Era Painter, 1600-1670 was an Italian painter of the Baroque era. She was unusual for Italian artists of the time for two reasons: first, in that her themes were mainly decorative and luscious still-lifes of fruits, vegetables, and flowers, and second, because she was a woman. Her training was with an otherwise unknown painter from her native town of Ascoli Piceno. She gained substantial success at her trade in Rome, Venice, Florence (1642-1651), Naples, and Turin. She was patronized by Cassiano dal Pozzo and the wife of Taddeo Barberini, Anna Colonna. In Turin she painted for Carlo Emanuele II, Duke of Savoy. She returns to Rome in the 1650s. In 1666, Garzoni bequeathed her entire estate to the Roman painters' guild the Accademia di San Luca, on condition that they build her tomb in their church of Santi Luca e Martina. Her tomb monument by Mattia De Rossi is to the right of the entrance. Laura Bernasconi was also a woman painter of still-life flowers in Rome in the 1670s. In Rome, she would have been a contemporary of Caterina Ginnasi. It is likely that in Naples she was exposed to the still-lifes of Giovan Battista Ruoppolo and his contemporaries.
Master of the Life of Saint John the Baptist
Italian Byzantine Style Painter, 14th Century






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